Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a novel A novel is a long narrative in literary prose. The genre has historical roots both in the fields of the medieval and early modern romance and in the tradition of the novella. The latter supplied the present generic term in the late 18th century by Hunter S. Thompson Hunter Stockton Thompson was an American journalist and author, most famous for his roman à clef Fear and Loathing in Las Vegas. He is credited as the creator of Gonzo journalism, a style of reporting where reporters involve themselves in the action to such a degree that they become central figures of their stories. He was also known for his use, illustrated by Ralph Steadman. The book is a roman à clef A roman à clef or roman à clé , also known as faction, is a novel describing real life, behind a façade of fiction. "Key" in this context means a table one can use to swap out the names, see figure, rooted in autobiographical incidents An autobiographical novel is a novel based on the life of the author. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the "autobiographical pact." Names and. The story follows its protagonist, Raoul Duke, and his attorney, Dr. Gonzo, as they descend on Las Vegas The Las Vegas metropolitan area, also known as the Las Vegas-Paradise-Henderson Metropolitan Statistical Area, is a metropolitan area in the southern part of the U.S. state of Nevada, consisting of Clark County. A central part of the metropolitan area is the Las Vegas Valley, a 600 sq mi basin in which is located the metropolitan area's largest to chase the American Dream The American Dream is a national ethos of the United States of America in which democratic ideals are perceived as a promise of prosperity for its people. In the American Dream, first expressed by James Truslow Adams in 1931, citizens of every rank feel that they can achieve a "better, richer, and happier life." The idea of the American through a drug A psychoactive drug, psychopharmaceutical or psychotropic is a chemical substance that crosses the blood-brain barrier and acts primarily upon the central nervous system where it alters brain function, resulting in changes in perception, mood, consciousness, cognition, and behavior. These drugs may be used recreationally, to purposefully alter one'-induced haze. The novel first appeared as a two-part series in Rolling Stone Rolling Stone is a U.S.-based magazine devoted to music, politics, and popular culture that is published every two weeks. Rolling Stone was founded in San Francisco in 1967 by Jann Wenner and music critic Ralph J. Gleason magazine in 1971, was printed as a book in 1972, and was later adapted into a film of the same name in 1998 starring Johnny Depp John Christopher "Johnny" Depp II is an American actor and musician known for his portrayals of offbeat, eccentric characters such as Jack Sparrow in the Pirates of the Caribbean film series, Raoul Duke in Fear and Loathing in Las Vegas, and Sam in Benny & Joon and Benicio del Toro Benicio Monserrate Rafael del Toro Sánchez , better known as Benicio del Toro, is a Puerto Rican actor and film producer. His awards include the Academy Award, Golden Globe, Screen Actors Guild (SAG) Award and British Academy of Film and Television Arts (BAFTA) Award. He is known for his roles as Fred Fenster in The Usual Suspects, Javier Rodrí.
Contents
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Origins
The novel Fear and Loathing in Las Vegas accounts for two trips to Las Vegas, Nevada, that Hunter S. Thompson and attorney Oscar Zeta Acosta took in March and April 1971. The first trip spawned from an exposé Investigative journalism is a form of journalism in which reporters deeply investigate a single topic of interest, often involving crime, political corruption, or corporate wrongdoing. An investigative journalist may spend months or years researching and preparing a report. Most investigative journalism is done by newspapers, wire services and Thompson was writing for Rolling Stone magazine about the Mexican-American Spanish, American English, Spanglish, and a minority of Indigenous Mexican languages television journalist Rubén Salazar, whom officers of the Los Angeles County Sheriff's Department The Los Angeles County Sheriff's Department is a local county law enforcement agency that serves Los Angeles County, California. It is the seventh largest law enforcement agency in the United States (behind the New York City Police Department, the California Department of Corrections and Rehabilitation, the Florida Department of Corrections,the had shot and killed with a tear gas Tear gas, formally known as a lachrymatory agent or lachrymator , is a chemical compound that stimulates the corneal nerves in the eyes to cause tearing, pain, and even blindness. Common lachrymators include OC, CS, CR, CN, nonivamide, bromoacetone, phenacyl bromide, xylyl bromide and syn-propanethial-S-oxide (from onions). Lacrymators often share grenade fired at close range during the National Chicano Moratorium March The Chicano Moratorium, formally known as the National Chicano Moratorium Committee, was a movement of Chicano anti-war activists that built a broad-based but fragile coalition of Mexican-American groups to organize opposition to the Vietnam War. Led by activists from local colleges and members of the "Brown Berets", a group with roots against the Vietnam War The Vietnam War [A 2] was a Cold War military conflict that occurred in Vietnam, Laos, and Cambodia from November 1, 1955 [A 1], to April 30, 1975 when Saigon fell. This war followed the First Indochina War and was fought between the communist North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the in 1970. Thompson was using Acosta — a prominent Mexican-American political activist Activism consists of intentional action to bring about social, political, economic, or environmental change. This action is in support of, or opposition to, one side of an often controversial argument and attorney — as a central source for the story, and the two found it difficult for a brown-skinned Mexican to talk openly with a white 2nd row: Ben Franklin · Amelia Earhart · John F. Kennedy · Elizabeth Kortright Monroe · Samuel Alito reporter in the racially tense atmosphere of Los Angeles, California. The two needed a more comfortable place to discuss the story and decided to take advantage of a Sports Illustrated magazine offer to write photograph captions for the annual Mint 400 desert race being held in Las Vegas from 21-23 March.
The 1971 Thompson and Acosta personae, on which Raoul Duke and Dr. Gonzo were basedThompson wrote that he concluded their March trip by spending some thirty-six hours alone in a hotel room "feverishly writing in my notebook" about his experiences.[1] The genesis of Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is in that notebook.
What originally was a two-hundred-fifty-word photo-caption-job for Sports Illustrated grew to a novel-length feature story for Rolling Stone; Thompson said publisher Jann Wenner Jann Simon Wenner is the co-founder and publisher of the music and politics biweekly Rolling Stone, as well as the owner of Men's Journal and Us Weekly magazines had "liked the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication — which gave me the push I needed to keep working on it". He had first submitted a 2,500 word manuscript to Sports Illustrated that was "aggressively rejected".[2]
Weeks later, Thompson and Acosta returned to Las Vegas to report for Rolling Stone on the National District Attorneys Association's Conference on Narcotics and Dangerous Drugs being held from 25–29 April 1971, and to add material to the larger Fear and Loathing narrative. Besides attending the attorneys' conference, Thompson and Acosta looked for ways in Vegas to explore the theme of the American Dream, which was the basis for the novel's second half, which Thompson referred at the time as "Vegas II".[3]
On 29 April 1971, Thompson began writing the full manuscript in a hotel room in Arcadia, California, in his spare time while completing Strange Rumblings in Aztlan, the article chronicling the slain Chicano journalist Rubén Salazar.[4] Thompson joined the array of Vegas experiences within what he called "an essentially fictional framework" that described a singular free-wheeling trip to Vegas peppered with creative licenses.[5]
Rolling Stone magazine cover by Ralph Steadman.In November 1971, Rolling Stone published the combined texts of the trips as Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream as a two-part article illustrated by Ralph Steadman, who, two years before, had worked with Thompson on a Scanlan's Monthly article titled "The Kentucky Derby is Decadent and Depraved".[6] The next year, Random House Random House, Inc. is the world's largest English-language general trade book publisher. It has been owned since 1998 by the large German private media corporation Bertelsmann and has become the umbrella brand for Bertelsmann book publishing. Random House also has a movie production arm, Random House Films, and is currently developing a division quickly published the hardcover edition, with additional Steadman illustrations; The New York Times said it is "by far the best book yet on the decade of dope",[7] with Tom Wolfe Thomas Kennerly "Tom" Wolfe, Jr. [citation needed] is a best-selling American author and journalist. He is one of the founders of the New Journalism movement of the 1960s and 1970s describing it as a "scorching epochal sensation".[8]
Plot summary
The novel lacks a clear narrative and frequently delves into the surreal, never quite distinguishing between what is real and what is only imagined by the characters.
The basic synopsis revolves around journalist Raoul Duke and his attorney, Dr. Gonzo, as they arrive in 1970s Las Vegas to report on the Mint 400 motorcycle race. However, they soon abandon their work and begin experimenting with a variety of recreational drugs, such as LSD Lysergic acid diethylamide, abbreviated LSD or LSD-25, also known as lysergide and colloquially as acid, is a semisynthetic psychedelic drug of the ergoline family. LSD is non-addictive and well known for its psychological effects which can include altered thinking processes, closed and open eye visuals, synaesthesia, a sense of time distortion,, cocaine Cocaine is a crystalline tropane alkaloid that is obtained from the leaves of the coca plant. The name comes from "coca" in addition to the alkaloid suffix -ine, forming cocaine. It is a stimulant of the central nervous system, an appetite suppressant, and a topical anesthetic. Specifically, it is a serotonin-norepinephrine-dopamine, alcohol In chemistry, an alcohol is any organic compound in which a hydroxyl functional group (-O , mescaline Mescaline or 3,4,5-trimethoxyphenethylamine is a naturally-occurring psychedelic alkaloid of the phenethylamine class. It is mainly used as an entheogen, and as a tool to supplement various practices for transcendence, including in meditation, psychonautics, art projects, and psychedelic psychotherapy, and cannabis Cannabis is a genus of flowering plants that includes three putative species, Cannabis sativa, Cannabis indica, and Cannabis ruderalis. These three taxa are indigenous to Central Asia, and South Asia. Cannabis has long been used for fibre (hemp), for medicinal purposes, and as a recreational drug. Industrial hemp products are made from Cannabis. This leads to a series of bizarre hallucinogenic trips, during which they destroy hotel rooms, wreck cars, and have visions of anthropomorphic Anthropomorphism is the attribution of human characteristics to non-human animal or non-living things, phenomena, material states and objects or abstract concepts. Examples include animals and plants and forces of nature such as winds, rain or the sun depicted as creatures with human motivations, and/or the abilities to reason and converse. The desert animals, all the while ruminating on the decline of American culture.
Major themes
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The preface quotes Dr. Johnson Samuel Johnson , often referred to as Dr Johnson, was a British author who made lasting contributions to English literature as a poet, essayist, moralist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and committed Tory, and has been described as "arguably the most distinguished man of letters in English: He who makes a beast of himself gets rid of the pain of being a man. The quotation alludes to the protagonists' profuse drug use in escaping the coarse realities of American life; passages detail the failed counterculture The counterculture of the 1960s refers to a cultural movement that mainly developed in the United States and England and spread throughout much of the western world between 1956 and 1974. The movement gained momentum during the U.S. government's extensive military intervention in Vietnam. Many scholars of this era believe that the peak years of, people who thought drug use was the answer to society's problems. The contradiction of solace in excess is thematically similar to The Great Gatsby The Great Gatsby is a novel by the American author F. Scott Fitzgerald. First published on April 10, 1925, it is set on Long Island's North Shore and in New York City during the summer of 1922 and is a critique of the American Dream. It is considered one of the greatest novels of the 20th century, a favourite novel of Thompson's.[citation needed]
H. S. Thompson posits that his drug use (unlike Dr. Leary's mind-expansion experimentation drug use), is intended to render him a mess; that he is the poster boy of a generation of "permanent cripples, failed seekers...;" their erratic behaviour depicts the restless failure his generation feels.
The "American Dream" is the novel's prevalent thematic motif, while searching for the literary and metaphoric American Dream, and for an eponymous real place in Las Vegas, Duke and Dr Gonzo find only a burnt psychiatric office. At story's start, Duke claims their adventure shall be a "gross, physical salute to the fantastic possibilities of life in this country", an idea soon cooled when the excess and fear settle in them; the symbolism of the burned psychiatric office is clear. Throughout Fear and Loathing in Las Vegas, the protagonists go out of their way to degrade, abuse, and destroy symbols of American consumerism and excess, while Las Vegas symbolizes the coarse ugliness of mainstream American culture.
The "wave speech"
The "wave speech" is an important passage, at the end of the eighth chapter, that captures the hippie The hippie subculture was originally a youth movement that arose in the United States during the mid-1960s, swiftly spreading to other countries around the world. The etymology of the term 'hippie' is from hipster, and was initially used to describe beatniks who had moved into New York City's Greenwich Village and San Francisco's Haight-Ashbury zeitgeist Zeitgeist (German pronunciation: [ˈtsaɪtɡaɪst] ) is "the spirit of the times" or "the spirit of the age." Zeitgeist is the general cultural, intellectual, ethical, spiritual, and/or political climate within a nation or even specific groups, along with the general ambience, morals, sociocultural direction or mood of an era ( and its end.
Some critics and readers believe this wave speech was Thompson's favourite passage in Fear and Loathing in Las Vegas and the writing of which he was most proud. Thompson often cited it during interviews, choosing it when asked to read aloud from the novel.[9]
Title
Fear and Loathing in Las Vegas is Thompson's most famous work, and is known as "Fear and Loathing" for short; however, he later used the phrase "Fear and Loathing" in the titles of other books, essays, and magazine articles.
Moreover, "Fear and Loathing", as a phrase, has been used by many writers, the first (possibly) being Friedrich Nietzsche Friedrich Wilhelm Nietzsche (German pronunciation: [ˈfʁiːdʁɪç ˈvɪlhɛlm ˈniːtsʃə]; in English UK: /ˈniːtʃə/, US: /ˈniːtʃi/) was a 19th-century German philosopher and classical philologist. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive style and displaying a in The Anti-Christ. In a Rolling Stone magazine interview, Thompson said: "It came out of my own sense of fear, and [is] a perfect description of that situation to me, however, I have been accused of stealing it from Nietzsche or Kafka Franz Kafka is one of the most influential novelists of the 20th century, whose works after his death came to be regarded as one of the major achievements of world literature. The term "Kafkaesque" has entered the English language or something. It seemed like a natural thing."[10]
He first used the phrase in a letter to a friend written after the Kennedy assassination The assassination of John F. Kennedy, the thirty-fifth President of the United States, took place on Friday, November 22, 1963, in Dallas, Texas, at 12:30 p.m. Central Standard Time in Dealey Plaza. Kennedy was fatally shot while riding with his wife Jacqueline in a Presidential motorcade, describing how he felt about whoever had shot President John F. Kennedy John Fitzgerald "Jack" Kennedy , often referred to by his initials JFK, was the 35th President of the United States, serving from 1961 until his assassination in 1963.[11] In "The Kentucky Derby is Decadent and Depraved", he used the phrase to describe how people regarded Ralph Steadman upon seeing his caricatures of them.
Thompson claimed that the name was derived from Søren Kierkegaard Søren Åbye Kierkegård (English pronunciation: /ˈsɔrən ˈkɪərkəɡɑrd/ or /ˈkɪərkəɡɔr/; Danish: [ˈsœːɐn ˈkʰiɐ̯kəˌɡ̊ɒˀ] ) (5 May 1813 – 11 November 1855) was a Danish philosopher, theologian, and psychologist. Kierkegaard strongly criticised both the Hegelianism of his time and what he saw as the empty formalities of's Fear and Trembling Fear and Trembling is an influential philosophical work by Søren Kierkegaard, published in 1843 under the pseudonym Johannes de silentio (John the Silent). The title is a reference to a line from Philippians 2:12, "...continue to work out your salvation with fear and trembling.", though Jann Wenner Jann Simon Wenner is the co-founder and publisher of the music and politics biweekly Rolling Stone, as well as the owner of Men's Journal and Us Weekly magazines claims that the title came from Thomas Wolfe Thomas Clayton Wolfe was a major American novelist of the early 20th century's The Web and the Rock.[12]
Reactions to the novel
When the novel was published in fall of 1971, many critics did not appreciate the novel's loose plot and the drug use of Raoul Duke and Dr. Gonzo; however, the reviewers understood that Fear and Loathing in Las Vegas was to become important American literature.
In the New York Times, Christopher Lehmann-Haupt told readers to not "even bother" with the novel, and that "what goes on in these pages make[s] Lenny Bruce Leonard Alfred Schneider , better known by the stage name Lenny Bruce, was an extremely influential and controversial American stand-up comedian, writer, social critic and satirist of the 1950s and 1960s, whose comedy revolved heavily around the social stigmas and taboos of the era in which he lived. His 1964 conviction in an obscenity trial was seem angelic"; however, he acknowledged that the novel's true importance is in Thompson's literary method: "The whole book boils down to a kind of mad, corrosive prose poetry that picks up where Norman Mailer's An American Dream left off and explores what Tom Wolfe left out".[13]
As the novel became popular, the reviews became positive; Crawford Woods, also in the New York Times, wrote a positive review countering Lehmann-Haupt's negative review: the novel is "a custom-crafted study of paranoia, a spew from the 1960s and — in all its hysteria, insolence, insult and rot — a desperate and important book, a wired nightmare, the funniest piece of American prose"; and "this book is such a mind storm that we may need a little time to know that it is also literature . . . it unfolds a parable of the nineteen-sixties to those of us who lived in them in a mood — perhaps more melodramatic than astute — of social strife, surreal politics and the chemical feast"; about Thompson, Woods said he "trusts the authority of his senses, and the clarity of a brain poised between brilliance and burnout".[14]
In any event, Fear and Loathing in Las Vegas became a benchmark in American literature about U.S. society in the early 1970s. In Billboard magazine, Chris Morris said, "through Duke and Gonzo's drug-addled shenanigans amid the seediness of the desert pleasure palaces, it perfectly captured the zeitgeist of the post–'60s era".[15] In Rolling Stone magazine, Mikal Gilmore wrote that the novel "peers into the best and worst mysteries of the American heart" and that Thompson "sought to understand how the American dream had turned a gun on itself". Gilmore believes that "the fear and loathing Thompson was writing about — a dread of both interior demons and the psychic landscape of the nation around him — wasn't merely his own; he was also giving voice to the mind-set of a generation that had held high ideals and was now crashing hard against the walls of American reality".[16]
Although the drug use and its degree of autobiography remain tepidly controversial, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971) is often required reading for students of American literature.[citation needed]
As a work of gonzo journalism
Main article: Gonzo journalismIn the book The Great Shark Hunt, Thompson refers to Fear and Loathing in Las Vegas as "a failed experiment in the gonzo journalism" he practiced, which was based on William Faulkner's idea that "the best fiction is far more true than any kind of journalism — and the best journalists have always known this".[17] Thompson's style blended the techniques of fictional story-telling and journalism.
He called it a failed experiment because he originally intended to record every detail of the Las Vegas trip as it happened, and then publish the raw, unedited notes; however, he revised it during the spring and summer of 1971. For example, the novel describes Duke attending the motorcycle race and the narcotics convention in a few days' time; the actual events occurred a month apart.[18] Later, he wrote, "I found myself imposing an essentially fictional framework on what began as a piece of straight/crazy journalism".[19]
Despite saying that ‘‘Fear and Loathing’’ was a failed experiment, critics call it his crowning achievement in gonzo journalism. One said the novel "feels free wheeling when you read it [but] it doesn't feel accidental. The writing is right there, on the page — startling, unprecedented and brilliantly crafted".[20]
Illustrations
Main article: Ralph SteadmanBritish cartoonist Ralph Steadman added his style of beautiful yet grotesque illustrations to the Rolling Stone issues and to the novel. Steadman had first met Thompson when Scanlan's Monthly hired Steadman to do the illustrations for Thompson's first venture into gonzo journalism called "The Kentucky Derby is Decadent and Depraved."
Many critics have hailed Steadman's illustrations as another main character of the novel and companion to Thompson's disjointed narrative. The New York Times noted that "Steadman's drawings were stark and crazed and captured Thompson's sensibility, his notion that below the plastic American surface lurked something chaotic and violent. The drawings are the plastic torn away and the people seen as monsters."[21]
Film adaptation
Main article: Fear and Loathing in Las Vegas (film)The novel's popularity gave rise to attempted cinematic adaptations; directors Martin Scorsese and Oliver Stone each unsuccessfully attempted to film a version of the novel. In the course of these attempts, Jack Nicholson and Marlon Brando were considered for the roles of Duke and Dr. Gonzo but the production stalled and the actors aged beyond the characters. Afterwards, Dan Aykroyd and John Belushi were considered, but Belushi's death ended that plan.[22] Art Linson's 1980 movie Where the Buffalo Roam is based on a number of Thompson's stories, including Fear and Loathing in Las Vegas.
In 1989, Fear and Loathing in Las Vegas was almost made by director Terry Gilliam when he was given a script by illustrator Ralph Steadman. Gilliam, however, felt that the script "didn’t capture the story properly". In 1997, Gilliam received a different script he felt worth realising; his 1998 film features Johnny Depp and Benicio del Toro as "Raoul Duke" and "Dr Gonzo" and was critically and commercially panned.[23] It has since become a cult classic due in large part to its release on DVD, including a Special Edition released by The Criterion Collection.
References
- ^ Thompson, Hunter S. Jacket Copy For Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
- ^ Thompson, Hunter (1979). The Great Shark Hunt: Strange Tales from a Strange Time (1st ed. ed.). Summit Books. pp. 105–109. ISBN 0-671-40046-0.
- ^ Thompson, Hunter S. Fear and Loathing In America Simon and Schuster 2000 p.379-385
- ^ Thompson, Hunter S. Jacket Copy For Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
- ^ Thompson, Hunter S. Jacket Copy For Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
- ^ Gilmore, Mikal. (March 24, 2005). The Last Outlaw. Rolling Stone, 970, 44-47
- ^ Woods, Crawford (July 23, 1972). Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. By Hunter S. Thompson. Illustrations by Ralph Steadman. 206 pp. New York: Random House. $5.95. The New York Times Book Review, pp.17.
- ^ Jacket Copy, [1] Fear and Loathing in Las Vegas 1972.
- ^ Gilmore, Mikal. (March 24, 2005) . The Last Outlaw. Rolling Stone, 970, 44-47
- ^ Fear and Loathing at 25 : Rolling Stone
- ^ Thompson, Hunter (1998). Proud Highway. New York: Ballantine Books. ISBN 0345377966.
- ^ Wenner, Jann (2007). Gonzo: The Life of Hunter S. Thompson. Little, Brown and Company. p. 112. ISBN 0316005274.
- ^ Lehmann-Haupt, Christopher. (June 22, 1972). Heinous Chemicals at Work. The New York Times, p. 37
- ^ Woods, Crawford (July 23, 1972). Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. By Hunter S. Thompson. Illustrations by Ralph Steadman. 206 pp. New York: Random House. $5.95. The New York Times Book Review, pp.17
- ^ Morris, Chris. (October 26, 1996). Hunter S. Thompson Brings ‘Fear and Loathing’ to Island. Billboard magazine, 43, 10
- ^ Gilmore, Mikal. (March 24, 2005). The Last Outlaw. Rolling Stone, 970, 44-47
- ^ Thompson, Hunter S. Jacket Copy For Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
- ^ Taylor, Andrew F. 1997 The City: In search of Thompson's Vegas Las Vegas Sun
- ^ Thompson, Hunter S. Jacket Copy For Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
- ^ Gilmore, Mikal. (March 24, 2005) . The Last Outlaw. Rolling Stone, 970, 44-47
- ^ Cohen, Rich. April 17, 2005. Gonzo Nights. The New York Times Book Review, p. 12.
- ^ IMDb article on Fear and Loathing in Las Vegas, trivia section[unreliable source?]
- ^ Dreams: Fear and Loathing. Welcome to Bat Country
Editions
External links
| Wikiquote has a collection of quotations related to: Fear and Loathing in Las Vegas |
- Fear and Loathing in Las Vegas at the Internet Movie Database
- The Great Thompson Hunt
- Book Review by Nick Christenson
- Las Vegas Sun investigation into the actual historical events surrounding the book. Includes many other FLLV-related articles.
Categories: Novels by Hunter S. Thompson | 1971 novels | Autobiographical novels | Postmodern literature | Psychedelic literature | Roman à clef novels | Novels adapted into films
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